our heroine will be in constant argument with the famous author she wants to write her story and that will make the book long and dense or in great danger of being tedious or at least as formidable as an everest trek, or a passage across the sierra de gredos. Is Handke sort of saying ok Derrida et al you want the logos deconstructed, the narrative no longer to follow the ancient and newly endorsed forms, let's go, let's do that, follow me. First we will walk backwards to the airport to see if we can even get the journey started.
Porous And at the same time they were porous . . . in the direction of both day and night between awake and the clarity of a dream
didn't rhythm have to be the main seasoning for a chef? 98
was something he could do only completely alone and unobserved. 99 says the chef and of course, we think, the writer,
now into chapter 9 What was he thinking as he wrote this book? Write a book crazier than any other book that has ever been published? Have the thinnest possible narrative thread or "thread"? and with that then invent as many topics to string along it as you can and word them as wildly as you can, as dream-like, as anti-novel as possible, as richly weird as you want (but no cheap horrors or sex tricks or lazy stealings).
111 she strikes him in the throat bit like the child on the plane hitting the woman in the throat
glowing, shimmering, shining a sphere, a dome discovery as a way of keeping possibilities open 112
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